On This Fresh Morning in the Broken World

after Mary Oliver

We share a quiet moment, our lips

bridging the center console, my mouth

forgetting how to receive

your tongue, like I've kissed enough

bathroom sinks to bloodlet

my lips numb. I pay a woman

to rip out my hair at the follicles,

for no one's hands but my own.

My fingers are eyes for the unseen.

I choose pain. I tip her twenty percent

for hurting me extra

good, smoothing me exceptionally

plump and pink. My partner encourages

the dog to choose the plush

Winnifred Sanderson in Petco's

post-Halloween discount bin

just to make me smile.

The dog carries Winnie all the way

to the car like a good boy.

I buckle my seat belt, open my mouth

like a good girl. My tongue remembers

it is a tongue.

I fill the holes chewed

into my cheeks with gold.

Kat Quinn

Kait Quinn (she/her) was born with salt in her wounds. She flushes the sting of living by writing poetry. She is the author of four poetry collections, and her work appears in Anti-Heroin Chic, Exposition ReviewReed MagazineWatershed Review, and elsewhere. She received first place in the 2022 John Calvin Rezmerski Memorial Grand Prize. Kait is anEditorial Associate at Yellow Arrow Publishing and a poetry reader for Black Fox Literary Magazine. She enjoys cats,repetition, coffee shops, tattoos, and vegan breakfast. Kait lives in Minneapolis with her partner and their very polite Aussie mix. Find her at kaitquinn.com.

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Q&A with Kat Quinn

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In the Garden of Girlhood